1.    
 Alberto
Florentino
Alberto
Florentino 
 Alberto
Florentino
Alberto
Florentino 
His books of
plays include: The World is an
Apple and Other Prize Plays; The
Portable Florentino; Memento
Mori; Sangyugto; Panahon ng Digma; From Book to Stage; among
others.
He published/edited 75 books
under his imprints from 1959 to 2001. Among them were the early works of his
colleagues like Jose Garcia Villa (Poems
55, A Doveglion Book of Philippine Poetry, Poems in Praise of Love, Selected
Stories from Footnote to Youth, The Essential Villa) Nick Joaquin (Portrait of the Artist as
Filipino, Laval de Manila and Other Essays, The Song of Maria Clara and Other
Poems, San Eustaquio, martir, Saint Eustachius, martyr)and Francisco
Arcellana (Selected Stories,
15 Stories by Francisco Arcellana, The Essential Arcellana)among many
others.
He was also
the main scriptwriter for the television show Balintataw and was recently honoured by Radyo
Balintataw for his role in the award-winning drama series of the early 60s and
70s. The show, spearheaded by producer Cecile Guidote (now Alvarez), directors
Lupita Concio (now Kashiwahara)and Nick Lizaso and Florentino was noteworthy
for adapting short stories by Filipino writers like Amador T. Dagiuo, Nick
Joaquin, Jose Garcia Villa, Wilfrido Nolledo, Bienvenido Santos among others.
He was one of the 1960 TOYM
Awardees for Literature, an honor he shared that year with Benigno Aquino Jr.
(for Public Service). In 2008, he was given a Presidential Medal of Merit for
being a distinguished literary figure by President
Gloria Macapagal-Arroyo.
Also in 2008
he was presented with a Dakilang Pilipino Award by the Consulate General in New
York. In 2011 he was among the honorees in a Tribute to the Living Legends of
Philippine Theatre. On Oct 1, 2011 Florentino was one of 12 honored at the
Tribute to Filipino Literary Laureates, a highlight of the first Filipino
American International Book Festival (FilBookFest) held in San Francisco, CA.
He migrated to the U.S. in the
early 80s and lived in New York where his third daughter Leila took over the
role of Miss Saigon on Broadway after Lea Salonga. He recently moved to
Portland Oregon.
2.       Adrian E. Cristobal
Adrian E. Cristobal   
 Adrian E. Cristobal
Adrian E. Cristobal   
(February 20,
1932 – December 22, 2007) was a Filipino writer who frequently touched on
political and historical themes. Perhaps best known to the public for his
"Breakfast Table" newspaper column, he was also a Palanca
Award-winning
playwright, fictionist and essayist. He likewise held several positions in
government during the administration of PresidentFerdinand E. Marcos.
Upon his death from lung
cancer on
December 22, 2007, a Resolution was
proposed in the Philippine Senate[1] citing
Cristobal as "a prolific journalist, a political satirist, a
historical writer and lecturer, a well-respected columnist, a brilliant
fictionist and essayist, a creative playwright, a literary genius and a
hardworking publisher.
Cristobal studied at the University of the East, though he would
drop out of college. By age 15, he had won literary prizes for his fiction, and
by 17, his byline was appearing in the pages of the country's leading
newspapers such as the Manila Chronicle.[3] As a young writer, he became
affiliated with a group of fellow writers based in U.P. Diliman known as the Ravens.
In the 1960 Palanca Awards, Cristobal garnered the
Second Prize in the One-Act Play (English) category for his satirical play The Largest Crocodile in the World.
All copies of the play have reputedly been lost upon the initiative of the
politician believed to have been depicted in the work.[3] Cristobal again won the Second Prize
in the 1983 Palanca Awards, this time in the essay
category. Cristobal also authored two books on the national hero Andres
Bonifacio; The
Tragedy of the Revolution and The Trial.[4] In 1962, Cristobal was contracted to
write the screenplay of Gerardo de
Leon's film adaptation of El
Filibusterismo, for which he won aFAMAS award for Best Screenplay.[2]
 Cristobal was among
the intellectuals enticed by Ferdinand Marcos to join his administration.
During martial law, he headed the speech-writing office of the Office of the
President. He was later appointed as the Chairman of the Social Security System and a member of the Board of Regents
of the University of the Philippines.
Cristobal was among
the intellectuals enticed by Ferdinand Marcos to join his administration.
During martial law, he headed the speech-writing office of the Office of the
President. He was later appointed as the Chairman of the Social Security System and a member of the Board of Regents
of the University of the Philippines.
3.    
Wilfrido Maria Guerrero 
            (January
22, 1911 - April 28, 1995) was a Filipino playwright, director, teacher and
theater artist. Guerrero wrote well over 100 plays, 41 of which have been
published. His unpublished plays have either been broadcast over the radio or
staged in various parts of the Philippines.
His plays can be found in various anthologies: 13
Plays (first published in 1947), 8 Other Plays (1952), 7
More Plays (1962), 12 New Plays (1975), My
Favorite 11 Plays (1976), 4 Latest Plays (1980), and Retribution
and eight other selected plays (1990). Guerrero also published a
family memoir, The Guerreros of Ermita (1988).
Guerrero
taught and trained many notable figures in the Philippine Performing Arts: Behn
Cervantes, Celia Diaz-Laurel, Joy Virata, and Joonee Gamboa Guerrero
worked as a reporter and proofreader for La Vanguardia,
a Spanish newspaper, and as a drama critic for the Manila Tribune. He also
worked for some time in the Philippine film industry as a scriptwriter. He
served as director of the Filipino Players from 1941-1947. In 1947 he was
appointed as Director of the Dramatic Club at the University of the Philippines despite not having a degree, and he
held that position for sixteen years.[2]
In 1962, he organized and directed the U.P. Mobile
Theater, which travels around the Philippines to give performances.[2]
Several of Guerrero's plays have been translated into and
produced in Chinese, Italian, Spanish, Tagalog, Visayan, Ilocano and Waray. Six
of his plays have been produced abroad: "Half an Hour in a Convent"
at the Pasadena Playhouse, California;
"Three Rats" at the University of Kansas;
"Condemned" in Oahu, Hawaii; "One, Two, Three" (premiere
performance) at the University of Washington, Seattle;
"Wanted: A Chaperon" at the University of Hawaii; and
"Conflict" in Sydney, Australia.[2]
He is the first Filipino to have a theater named after
him within his lifetime: The Wilfrido Ma. Guerrero Theater of the University of the Philippines.
4.   
 Jesus Tamayo
Peralta
Jesus Tamayo
Peralta 
 Jesus Tamayo
Peralta
Jesus Tamayo
Peralta 
(born
December 26, 1932 in Ft. William McKinley) is a painter, photographer, graphic
artist, poet, anthropologist/archaeologist, essayist, and is also one of the prizewinning
playwrights in the Philippines.
He burst into the literary
scene dramatically by winning first prize in the two play-writing contest in
the same year (1957) in the Arena Theater Playwriting Contest for the Other Son
(My Brother’s Keeper) and in the Palanca Memorial Awards One-Act Play Contest
for the Play, The Judas.
Two Years (1959) he was to write another first prize for Somnambulists in the
Philippine Mental Health Association playwriting contest.
He earned university degrees
from the University of Santo Tomas (Manila), the University of the Philippines and finally
earning his doctorate from the University of California, Davis. He taught a
year at Letran and then
decided to join the National Museum as a museum curator and assistant director.
He has participated in many literature, art, archeology, social science and
cultural workshops and conferences including the writer's workshop in Silliman University,
the writer's workshop at the University of Iowa, USA. He has contributed much
to the cultural facet of the Philippines by being a consultant in restoration
project in Intramuros, the chairperson of the Intra-ASEAN project in Butuan
City and a commissioner in the UNESCO National Commission of the Philippines.
A Bachelor of Philosophy
graduate from the University of Sto. Tomas, with a Master of Arts in
Anthropology from the University of the Philippines, and a Doctor of Philosophy
in Anthropology from the University of California, Davis Campus, Jesus T.
Peralta was Director III of the National Museum until he retired in 1997.
Presently, he is a Consultant of the National Commission for Culture and the
Arts (NCCA). He is the Program Director of the UNESCO project in conserving the
Ifugao Epic Chant, the hudhud, which was declared an Intangible Heritage of
Humanity, and member of the Intangible Heritage Committee of the NCCA
(IHC/NCCA).
Among the recognition he has
earned are: the 1967 Leader and Specialist from the State Department of USA in
the field of Theatre; a Ford Foundation grant for graduate studies in 1872; the
1965 Golden Sto. Nino Award for Cultural Contributions in the country;
Outstanding Alumnus in the field of Literature from the Colegio de San Juan de
Letran; 1964; Award of Merit in the field of Literature from the University of
Sto. Tomas; Meritorious Honor Award from the National Museum, and Civil Service
Commission; and a 1985 Outstanding Professional Award in the field of
Literature and Anthropology from Letran College. He is a Gawad Bantayog ng
Museo awardee in 1993 and in 2001, received the Dangal ng Haraya award for
lifetime achievements in cultural conservation from the National Commission for
Culture and the Arts. He was awarded the Pambansang Alagad ni Balagtas by the
Union ng Manunulat ng Pilipinas (UMPIL- Writers Union of the Philippines) on 31
August 2001 and four days later in September 3, he was awarded by the Manila
Critics Circle as editor of the Best Anthology for the book, “Reflections on
Philippine Culture and Society”; Rubi Awards for Arts and Culture, by the
University of Sto. Tomas, 2004; and Most Distinguished Alumnus, Colegio Awards,
by Colegio de San Juan the Letran, 2005. On 24 June he was awarded the Úlirang
Ama Award by the Ulirang Ina/Ama Foundation.
 5. Jun Robles Lana
5. Jun Robles Lana 
(born October 10, 1972), born as Rodolfo
R. Lana, Jr., is an internationally acclaimed Filipino filmmaker. The winner of 11 Palanca Awards for Literature, he became the youngest member of the Palanca
Hall of Fame in 2006. In 2015, he directed the multi-awarded
film "Shadow Behind The Moon" which won the Best Director, NETPAC and
FIPRESCI awards at the 13th Pacific Meridian Film Festival. At the 20th International Film
Festival of Kerala, he won the Best Director award for the same film.
Interested
in writing from an early age, he began to write and submit plays in Filipino
language to competitions. He has adopted Jun
Lana as his pen name. At age
19, he received an "Honorable Mention" citation in the 1991 Palanca
Awards in the category Dulang
May Isang Yugto (One-Act Play
in Filipino), for his play Eksodo. The following year, Lana won Third
Prize in the same category for Churchill.
In the
next eight years, Lana won nine more Palanca Awards for his Filipino-language screenplays and teleplays, including First Prizes for the screenplays Karinyo-Brutal (1995) and Mga Bangka sa Tag-araw (1996); and for the teleplays Sa Daigdig ng mga Taksil (1995), and together with Peter Ong
Lim, for Pula (1997) 
In 2006, Lana's teleplay Milagrosa won his fifth First Prize Palanca
Award and his 11th overall. With his fifth First Prize, Lana was inducted into
the Palanca Hall of Fame.
 
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